Showing posts with label Online and offline. Show all posts
Showing posts with label Online and offline. Show all posts

Tuesday 28 March 2017

The Passing of Paper

Smash logo and brand identity
(Photo credit: Wikipedia)
I follow quite a few legacy publishers on Twitter and suffer from the not infrequent urge to block them as I stare, open-jawed, at their attempts at what they clearly think is 'marketing'. Where most self-published authors have worked out, often by trial and error, that 'buy my book' doesn't work, publishers are frequently to be found out there using Twitter as a broadcast medium.

My least favourite of an ugly bunch are the guys who have clearly logged into Twitter for their daily session ("Dave does Twitter from 4-5pm, then goes through the slush pile") who then retweet anything nice said about them or one of their authors. To the luckless recipient of this gold, a timeline suddenly packed with retweets of breathless praise for Dave's publishing house, event or client's book until Dave runs out of RT cruft. At this point, if you're really unlucky, you'll get Dave asking you what's your favourite colour or what book changed your life as he practices his 'engagement' skills.

The example that flashed across my disbelieving eyes last night, however, took the proverbial biscuit:


It ticks every 'shit use of Twitter by a publisher' box I can think of. What, you mean if I pre-order this book and send you proof that I have, indeed, placed a pre-order, you'll actually send ME a real whole honest-to-goodness PDF file containing chapter one of the book I can't read yet? I am SO grateful! I can't begin to thank you! Really! A whole chapter one of a book I just paid for but can't read as a crappy, bitty PDF (like the ones torrent sites serve) just for little me? Squee!

These are just a few examples of how legacy publishers are struggling to get their heads around marketing, promotion and distribution in a post-paper world. We're not quite there yet, of course - there's still a lot of papery stuff around. But anyone not habitually wedded to a paper-based business model can see that the consumption of ideas, information and narrative on mushed-up dead trees and bleached old knickers (paper) is moving to a diverse and often inter-connected ecosystem of devices with blinding speed. 

When we are using those devices, we are not pleased to be 'disrupted' and, in a device-centric world, the publishers' ability to use their market power - sales teams stocking retailers - is minimal. They're no better off than the rest of us. The Internet, as we have been seeing since 1995, is a great leveller.

The idea that there is value in selling information encoded in a 'book' or indeed any other conventionally printed product now belongs in a Cadbury's Smash advert. When was the last time you looked at a paper map? 

I fondly recall driving across Scotland in 1988, following a printout from Autoroute 1.0 and picking up some hitch hikers who, when they found out I was following a computer programme around Scotland, became very nervous indeed and wanted let out early. They clearly thought I was a madman. It's taken a while, sure enough, but the paper map today is (along with the dedicated GPS device, incidentally) a thing of the past. 

The ability to contextualise information based on a layer over the 'real' world is incredibly powerful. It's why Google has invested so much in building that layer with Earth, Streetview and the like. Apple is rumoured to be making a huge play in 'Augmented Reality'. 

Not only are we consuming information about where we're going totally differently, we can clearly see around the corner a world where we won't care where we're going. We'll just tell the car to go there and it'll tell us how long it intends to take and then provide us some entertainment of our choice as we travel. It'll probably be plotting to kill us, but that's another kettle of fish.

Newspapers are clearly in the throes of another aspect of the movement of information online. In their case they're having to struggle with the reduction of value in two ways - the loss of revenue from people buying papers and that of advertisers willing to pay to reach those readers. The problem becomes one of scale - the news gathering resource and reach of a quality newspaper is expensive - and when you devalue the good through information ubiquity, you lose the ability to pay for large teams of journalists. 

Who will custodiet custodes, then? Smaller teams working more efficiently - but also a slew of copycats, content farms and repurposers. Quality content has to fight harder to cut through the rubbish. It's messy out there, but there's one thing that's certain - nobody's interested in print anymore - and the revenue models for print don't translate online, the scale doesn't work at cents per click. Not only do you not have the resources for big newsrooms, presses and distribution networks, you arguably don't need them.

Print books are a good whose price is set entirely on its own inefficiency. The cover price of a book consists entirely of percentages based on the cost of print - including the author's royalty and distribution. A tiny proportion goes to editorial costs. Oh, and profit. Let's not forget profit. An author is remunerated on a percentage of the revenue generated by the book as, indeed, is a distributor - the latter gets a whopping 50% of cover price. 

You could perhaps see how publishers would be wedded to this model - it has been thus for the past century or so. That's the way we do it around here, see?

When you go online, you not only rip out the costs of print and distribution and sales returns/stock loss but you also tear down the sales network publishers have depended on for so long. Bookshops are dead, sales are taking place on platforms the publishers don't own, control or influence. And so that most passive of sales environments (the long shelves packed with attentive soldiers of stiff-spined papery joy, the tick of the clock, Mildred sitting behind the till, reading and leaving you to have a nice, long browse) has been transformed into an online nightmare of conflicting shrill demands for people's time and attention.

In this brave new world, publishers no longer offer the significant scale they used to. Even the media they retain privileged access to are less powerful. Physical book retail is on a massive decline, despite constant announcements by 'the industry' that ebook sales are under pressure. These are mendacious and statistically skewed to an amazing degree - and they're quite poignant, in their way. 'It's going to be okay, chaps, you'll see' - that brave last sentence nobody quite believes, but they're all grateful for as they all walk into the hail of enemy gunfire.

The one thing publishers had to offer authors was scale. Scale of marketing, distribution, recognition. That's a product of marketing. Rip out the sales channel and go online and you've got some serious problems on your hands unless you can get your head around building serious online scale. Legacy big-hitters like JK Rowling or Neil Gaiman have made the leap and brought their audiences online with them and have massive reach on platforms like Twitter.

Publishers haven't. And they really don't know how to do it. They can't believe they need to do it. And they won't resource to do it properly because they're still clinging on to that last log in the sea.

Or, as an old pal once said to me (of literary agents, but never mind, it fits today's legacy publishers too), "They're like eunuchs in the Ottoman court. They see it happening all around them; they know what it is that's happening. But they're totally incapable of doing it for themselves!"

Monday 30 March 2015

The Vicariousness Of Self

Burj Khalifa in Dubai is the tallest building ...
(Photo credit: Wikipedia)
I'm constantly battling the urge to beat people to death with their own selfie sticks. I know it's their life and they can do with it what they will, but for some reason the whole performance irks me in a deep and profound way.

We nipped up to Hatta a while ago for two days of mountain air and Martinis in my favourite bar anywhere in the world ever (the luxuriantly '70s brown velour and walnut charm of Hatta Fort's Roumoul Bar) and I sat, aghast - interrupted in my mission to lie sunning myself by the pool and consuming as many books as a Kindle Voyage can carry - as a couple swooshed around in the water gurning at a GoPro hoisted on the end of a selfie stick.

They were filming themselves so that in 20 years time they can look back at that time in Hatta when they didn't enjoy the pool because they were too busy filming themselves not having fun so they could capture their strange, onanistic non-fun pool filming for posterity.

They probably shared the moment they never really had. Up on Facebook it goes, that time we walked around a pool filming ourselves so our friends could see what wonderful lives we're leading together and experience the moments we never got around to having because we were so busy making sure everyone else had a glimpse of what it is we haven't got.

I stopped taking pictures of food for Instagram quite quickly. I realised I had started to eat excellent food that had gone cold. I have since come up with the brilliant scheme of Instagramming empty plates. Those smears I'm sharing are the meal I enjoyed all the more because I didn't share the moment of epiphany when a plate of really good food leaves a kitchen and is slid noiselessly under your nose with a murmured 'Bon appetit'. There I said it. I care more about food than you.

This is not new behaviour, just in case you're tempted to think it is. It's more aggressive because of the Internet, but I remember walking the bounds of Chester a decade or so ago because Sarah was attending a course there and I was left to spend my days fossicking around the city's ancient ruins and medieval buildings. The city was full of chattering groups of excited Japanese people who thought the world was square, their view of anything of even the slightest significance being captured from behind a viewfinder.

By the way, apropos nothing really very much, this tumblr blog is rather brilliant: Pictures of Asians taking pictures of food.

We're constantly being egged on to share, seek the approval of our peers, our 'friends' and 'followers'. But sharing a moment doesn't signify enjoyment: it means you've denied yourself that moment. And approval isn't experience.

Live it. And just be aware, as you raise that selfie stick to capture yourself and your pimply moon-faced girlfriend framed by the Burj Khalifa, you might be the ones that make me finally snap.

Yes, yes, I do feel better now, thanks for asking...

Wednesday 31 December 2014

The Al Gore Rhythm

English: Red pill Português: Pilula vermelha
(Photo credit: Wikipedia)
I suppose it was my own fault. There was an M&M lying on the table by my new and very orange Lenovo Yoga (slicker than Slick Dick McSlick, the slickest slickster since Slippery Sidney Slickstein) and I fancied a little chocolaty treat as I shopped online. I realised - it would have been in time - that dropping red pill-like things when you're staying in a house inhabited by a teenager is perhaps not the smartest thing to do. but the Brother In Law put a Connemara down, slapped me on the back and said 'This'll put hairs on yer chest!'.

I swallowed involuntarily and the little red sugar-coated morsel went down fast. I chased it with a sip of Connemara. This might have been where things started to unravel.

For a start, the thing I'd been browsing turned into another thing. Apparently people who'd been looking at my thing also bought the other thing. Would I like both things together? If I said yes and accepted a lifetime subscription to Super Wonderful Services I could have both for free as part of a package to access a million different streams of really great content and entertainment designed to make me happy and more fulfilled in life.

The screen started to blur. Voices chanted 'Do it! Do it!' and there was a powerful hypnotic whine coming through the speakers. Maybe I wanted to refine my choices based on the content I'd been accessing? My mouth felt glued together as I tried to scream 'Nooo' and I found myself trying to push the mouse through molasses. My wife's a teacher, we have young nieces and nephews. I don't need Elmer's First Colouring Book to become part of my lifestyle choices, let alone Lady Gaga perfume and, Saints Preserve Us, One Direction albums. Too late, Elmer's there, exhorting me to sign up for my exclusive preview of SWS and enjoy discounted access to films, ebooks, free shipping and more.

Try it and you can have this thing you really want. Click here to find out what it is. I'm trying to stop myself but the CLICK button is throbbing insistently and there's no button for 'NO'. A counter starts 5; 4; 3; 2; I'm trying to find the off switch but it's too late. 1! Congratulations, you now have a subscription to SWS and two extra family members have just been notified their kidneys are subject to donation.

Overwhelmed, I fall backwards off my chair, ripping the cord from the laptop but the screen's still on, downloading movies I'm going to love and pushing books I'll appreciate more than anything else in the world. I black out briefly.

The Niece from Hell is standing over me as my eyes flutter open. 'Why are you being strange again?'

I point my finger at her accusingly. 'You're taking LSD! You left one here on the desktop! A red pill!'

'That?' The contempt is icy. 'That was an M&M. Would you ever stop stealing my chocolate?'

She turns on her heel, leaving me lying on the floor amongst the carnage. The screen is glowing with a comforting blue aura, Elmer mouthing the words 'Great Choice' and coruscating slowly as the hard disk light flickers, content downloading in a stream of algorithmically selected stuff I don't want, need or understand...

Thursday 29 May 2014

Groundhog Day

Bloomberg L.P., London
(Photo credit: Wikipedia)
It's been one of those weeks. First we had the tremor from the Qeshm earthquake and then Google's Driverless Car.

The link?

Well, those few weird moments of seeming terrestrial liquefaction having been enjoyed, I then got to watch Gulf News tweeting that it was going to report on the thing I had just experienced as the rest of Twitter shared its rainbow reaction. As if I'm going to put my life on hold to wait for GN's report. The next day, almost 24 hours after I had watched friends and Twitter in general record their reactions to the event, I get to see news stories about the thing I had lived through the day before.

I had sort of moved on, actually. Including a wander around the internet to research a blog post in which I learned more about the incident and the factors behind it than the Gulf News story - that I hadn't been waiting for, funnily enough - eventually told me. Context and analysis? Don't make me laugh, cocky...

And then yesterday opened with news reports about Google's driverless car, a project most of the people I know had been aware of for some months. Things had moved on and Google had released pictures of its prototype 'level four' car - no steering wheel at all for you, matey. The news online had broken the day before, Google's release went out on the 27th May (Tuesday) and most online outlets led with the story yesterday first thing. So listening to the Business Breakfast on Dubai Eye Radio this morning, it was odd to hear some shouty Americans on Bloomberg being played out. A sort of strange, layered iterative experience - the presenters played a recording of Bloomberg playing a recording of an interview with Sergei Brin.

So I get to hear a recording of a recording of a person talking about the news I knew and saw the day before.

This sort of thing is happening so frequently now, I'm losing track of what day it is. I keep looking to the future only to find mainstream media dragging me back to the past.

Odd.
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Monday 8 July 2013

A Matter Of Form

The beach of Sharjah
 (Photo credit: Wikipedia)
So I was talking the other day about Sharjah announcing online tenancy contract renewal, the dream yet to be realised. There's a slew of announcements doing the rounds these days following Sheikh Mohammad's clarion call for e-government to take to mobile and everyone's busily trying to show they're working on m-government. Today, for instance, the Emirates ID Authority is to be seen in Gulf News demonstrating near field technology and pre-announcing ID card renewal via mobile apps by the end of the year.

Let's revisit that one just before Christmas for some reality checking, hey?

It's a major cultural change for the Emirates, all this online documentation stuff. It's counter-cultural to a huge degree. We're used to the good old ways and they are very analogue ways indeed. The generally accepted procedure is to require huge amounts of documentation to be produced in order to complete the simplest transaction and to insist on that transaction being carried out in person. It is mandatory to neglect to tell the applicant (or, more properly, supplicant) which documentation is required. When the applicant arrives hefting a huge wodge of paperwork, the concerned employee of the given department will unpick any staples attaching these documents together and re-staple the documents in a different order. He will then sigh and point out that the applicant has not remembered to bring the copy of an attested marriage certificate, birth certificate of his spouse and a copy of the frontispiece to the Faber 1932 edition of The Complete Works of Shakespeare.

If, frustratingly, the applicant has all required papers and clearly has a copy of a wombat owner's license from the Saskatchewan state licensing authority, the employee of the concerned department will press the clear window worn in an otherwise grubby touchscreen and a small printed slip with an impossibly high number will be handed to the supplicant applicant. The applicant will be referred to at all times as a customer, including on the slip with the number.

The supplicant applicant customer can now wait in comfort as the impossibly low numbers on the screen count up towards the lofty heights of the number clutched in his hand. I've taken to bringing my Kindle with me, which does rather help.

In the good old days you had to take everything to a typing centre for them to type an application form for you, but in these days of e-government, we have the option of filling in the form online before printing it out and bringing it with us to make our application supplication customer service experience. The concept that scans of the required documents could be included in the online process, perhaps also payment of the releavant tax fee made is not really up for consideration - much less that the documentation could be digital from the get-go and available by cross-linking databases. Oh no, couldn't have that, could we?

And so I went to have our renewed tenancy contract attested today, carrying with me every possible document under the sun. I kid you not. I have long experience with this process - I've been doing it for something like twenty years now and can never once remember managing to have everything they've asked for first time around. I had tenancy contracts, passport copies, attested marriage certificates, copy of the landlord's ownership document, copy of the landlord's passport. I was equipped for an all-out war of attrition and I was going to win this one, baby.

Do you have this letter? Sighed the employee of the concerned department. What letter? This one. You have to have your landlord sign it and then you sign it. It says you won't build extra rooms in your villa and house more families. No, of course I don't, I've never heard of that letter until now. Regretful shrug (which I swear is a government employee's grin of triumph). You have to have it before I'll give you a number.

Sure, I can't wait for the process to go online. But I rather suspect it'll be a case of filling in the form online and printing it to make my application supplication customer service experience in person. They won't forego the pleasure of thinking up some new insane requirement to trip me up with. I can only wonder what they'll think up for next year. Meanwhile, I'm on eBay looking up old editions of The Complete Works of Shakespeare...

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From The Dungeons

Book Marketing And McNabb's Theory Of Multitouch

(Photo credit: Wikipedia ) I clearly want to tell the world about A Decent Bomber . This is perfectly natural, it's my latest...